essays

Shelf Life: June 2013

Another month, another eclectic mix. 74. In Search of Duende, by Federico García Lorca (New Directions, 2010) A combination of poetry, and essays which felt a bit over my head. This probably shouldn’t have been my first introduction to Lorca. 75. Gwendolyn MacEwan, Vol 2, by Gwendolyn MacEwan (Exile Editions, 2001) This series of short, reasonably priced […]

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Shelf Life: April 2013

April was Poetry Month, and I did get in some poetry, but also quiet a few graphic novels. 42. The Metaphysician in the Dark, by Charles Simic (University of Michigan Press, 2003) 43. Far to Go, by Alison Pick (House of Anansi, 2010) 44. In Reliquary, by Daryl Hine (Fitzhenry & Whiteside, 2013) 45. Are You My

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Shelf Life: March 2013

Lots of poetry, some lit crit, and a burnt lasange. 30. Rush, by bill bissett (BookThug, 2012) Reviewed for Broken Pencil. 31. Heroines, by Kate Zambreno (Semiotext(e), 2012) When I saw it in Book City, I couldn’t resist picking it up. Zambreno looks at the “mad” literary wives of famous authors as they’re popularly portrayed, with the

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Shelf Life: October 2012

I have an absurd number of books on my to-read shelf. These are books that I’ve bought, and physically have on my shelves, waiting to be read. I don’t know how I’m ever going to catch up, especially with all the neat books that have come out this fall, and the classics I have yet to read.

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Shelf Life: May 2012

A varied month. 50. Twenty-Seventh City, by Jonathan Franzen (Picador , 1988, 2001) To backtrack, I really liked The Corrections, and thought The Discomfort Zone was pretty good, but I felt like I kept waiting for Twenty-Seventh City to make sense. At its most bare, it’s the story of a conspiracy by a group of people to destroy

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Trigger93: FLESH! Volume 2

“Marks: Uniting Sprit and Flesh” published in Trigger93

I just received the latest issue of Trigger93, which contains my essay “Marks: Uniting Spirit and Flesh”. The theme of this issue is “Flesh”, and my piece is a personal essay on spiritual tattoos.  Though the ways this theme has been interpreted are as varied as they are powerful, from the interview with Anna Blume on ACT

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